1895 in music

1895 in music
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Overview of the events of 1895 in music
List of years in music (table)
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Events in the year 1895 in music.

Specific locations

Events

  • "America the Beautiful"     w. Katherine Lee Bates m. Samuel A. Ward
  • "The Band Played On"     w. John F. Palmer m. Charles B. Ward
  • "The Belle of Avenoo A"     w.m. Safford Waters
  • "Down In Poverty Row"     w. Gussie L. Davis m. Arthur Trevelyan
  • "A Dream"     w. Charles B. Cory m. J. C. Bartlett
  • "The Hand That Rocks The Cradle"     w. Charles W. Berkeley m. William H. Holmes
  • "He's Not Dead Yet!"     w. T. W. Connor
  • "It's a Great Big Shame"     w. Edgar Bateman m. George Le Brunn
  • "Just Tell Them That You Saw Me"     w.m. Paul Dresser
  • "King Cotton (march)"     m. John Philip Sousa
  • "La Pas Ma La" w.m. Ernest Hogan
  • "My Angeline"     w. Harry B. Smith m. Victor Herbert
  • "My Best Girl's a New Yorker"     w.m. John Stromberg
  • "Put Me Off at Buffalo"     w. Harry Dillon m. John Dillon (Dillon Brothers)
  • "Rastus on Parade"     w. George Marion m. Kerry Mills
  • "She Was One of the Early Birds"     w.m. T. W. Connor
  • "Sleep Little Rosebud" w. Alfred Bryant, m. Louis Campbell Tipton
  • "The Soldiers of the Queen"     w.m. Leslie Stuart
  • "The Streets of Cairo"     w.m. James Thornton
  • "The Sunshine of Paradise Alley"     w. Walter H. Ford m. John Walter Bratton

Classical music

  • Béla Bartók
    • Capriccio in B minor, for piano, Op. 4
    • Fantasia in A minor, for piano, Op. 2
    • Fantasia, for violin, Op. 9
    • Pieces, for violin, Op. 7
    • Sonata No. 2 in F major, for piano, Op. 3
    • Sonata in C minor, for violin and piano, Op. 5
    • Sonata No. 3 in C major, for piano, Op. 6
  • Léon BoëllmannSuite Gothique for Organ
  • Antonín Dvořák – Cello Concerto in B minor, thirteenth and fourteenth string quartets
  • Edward ElgarFrom the Bavarian Highlands, for chorus and orchestra, Op. 27
  • George Enescu – "Study" Symphony No. 1 in D minor
  • Gabriel Fauré
    • Allegro symphonique, for piano four-hands, Op. 68
    • Barcarolle No. 6 in E-flat major, for piano, Op. 70
    • Theme and Variations, for piano, Op. 73
  • Anatoly Lyadov
    • Etude in F major, for piano, Op. 37
    • Mazurka in F major, for piano, Op. 38
    • Preludes (3), for piano, Op. 36
    • Preludes (4), for piano, Op. 39
  • Henrique Oswald – Piano Quintet in C major, Op. 18
  • Camille Saint-Saëns
    • Fantasy No. 2 in D major, for organ, Op. 101
    • La Mort de Thaïs, Paraphrase de concert sur l'opéra de J. Massenet, for piano
    • Souvenir d'Ismaïlia, for piano, Op. 100
  • Richard Strauss
  • Alexander von Zemlinsky – Serenade (Suite), for violin and piano

Opera

Births

Deaths

References

  1. ^ Philadelphia Orchestra (1955). Programs. p. 513.
  2. ^ David Ewen (1963). Encyclopedia of the Opera. Hill and Wang. p. 211.
  3. ^ Gerald Bordman (March 2001). American Musical Theater: A Chronicle. Oxford University Press, USA. p. 159. ISBN 978-0-19-513074-4.
  4. ^ Down Beat. Maher Publications. 1980. p. 22.
  5. ^ Nicolas Slonimsky (1938). Music Since 1900. W.W. Norton, Incorporated. p. 446.
  6. ^ Michael Gray (2000). Song & Dance Man III: The Art of Bob Dylan. Continuum. p. 38. ISBN 978-0-8264-5150-7.
  7. ^ Charles Reid (1968). Malcolm Sargent: A Biography. Hamilton. p. 12. ISBN 978-0-241-91316-1.
  8. ^ Caryl Brahms; Ned Sherrin (1984). Song by Song: The Lives and Work of 14 Great Lyric Writers. R. Anderson Publications. p. 236. ISBN 978-0-86360-013-5.
  9. ^ The Record Collector. Record Collector. 1983. p. 5.
  10. ^ Kazimierz Sikorski (in Polish)
  11. ^ David Ewen (1987). American Songwriters: An H.W. Wilson Biographical Dictionary. H.W. Wilson. p. 76. ISBN 978-0-8242-0744-1.
  12. ^ Mark Morris (1996). A Guide to 20th-century Composers. Methuen. p. 191. ISBN 978-0-413-45601-4.
  13. ^ The Record Collector: A Magazine for Collectors of Recorded Vocal Art. 1962. p. 20.
  14. ^ Steve Evans; Ron Middlebrook (June 2002). Cowboy Guitars. Centerstream Publications. p. 13. ISBN 978-1-57424-102-0.
  15. ^ Recorded Sound. British Institute of Recorded Sound. 1967. p. 309.
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