Altman Madonna
The Altman Madonna | |
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Artist | Andrea Mantegna |
Year | 1495-1505 |
Medium | glue tempera and gold on canvas |
Dimensions | 57.2 cm × 45.7 cm (22.5 in × 18.0 in) |
Location | Metropolitan Museum of Art, New York |
The Altman Madonna or 'Holy Family with St Mary Magdalene is a glue-tempera and gold on canvas painting, measuring 57.2 by 45.7 cm and dating to 1495-1505. Painted by Andrea Mantegna, it is now in the Metropolitan Museum of Art in New York.[1]
Its use of canvas and its stylistic similarities to works such as the Trivulzio Madonna date it to the painter's late period. The fruit hedge in the background recalls the Trivulzio Madonna as well as the Madonna della Vittoria. It may have been the work seen in the Ospedale degli Incurabili in Venice by Marco Boschini and described as similar to the Holy Family with a Female Saint (Museo di Castelvecchio, Verona).
It was sold in 1902 by Agosto d'Aiuti, a Neapolitan count, to an English antiquarian in London.[2] After passing through various owners, it was acquired in 1912 by the American collector Benjamin Altman, who bequeathed it to the Metropolitan Museum in 1913[3]
References
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- St Mark (1448)
- Ovetari Chapel (1448–1457)
- Adoration of the Shepherds (c. 1450–1451)
- St. Jerome in the Wilderness (c. 1451)
- San Luca Altarpiece (1453)
- St. James Led to His Execution (c.Time between 1453 and 1455)
- Presentation at the Temple (c. 1455)
- Agony in the Garden (c. 1458)
- Crucifixion (1459)
- Agony in the Garden (c. 1459)
- Portrait of Cardinal Ludovico Trevisan (c. 1459–1460)
- St. Bernardino of Siena between Two Angels (1460)
- Death of the Virgin and Christ Bearing the Soul of the Virgin (c. 1461)
- Portrait of a Man (c. 1460)
- Portrait of Francesco Gonzaga (c. 1461)
- Madonna with Sleeping Child (c. 1470)
- St. George (c. 1460)
- San Zeno Altarpiece (1460)
- St. Sebastian (of Vienna) (c. 1459)
- Uffizi Triptych (Ascension; Circumcision; Adoration of the Magi) (1462)
- The Ascension (1462)
- The Circumcision (1464)
- Portrait of Carlo de' Medici (c. 1459–1466)
- St. Sebastian (of the Louvre) (c. 1480)
- Madonna of the Cherubim (c. 1485)
- Triumphs of Caesar (c. 1486)
- Christ as the Suffering Redeemer (c. 1488–1500)
- Lamentation over the Dead Christ (c. 1490)
- Madonna of the Caves (1490)
- St. Sebastian (of Venice) (1490)
- Madonna and Child with Three Saints (1490–1500)
- Resurrection (1492–1493)
- Descent into Limbo (1492–1493)
- Christ the Redeemer (1493)
- Judith with the Head of Holofernes (Dublin, c. 1495)
- Judith with the Head of Holofernes (Washington, 1495)
- Exemplary Women of Antiquity (1495–1500)
- Sibyl and Prophet (1495–1500)
- Madonna della Vittoria (1496)
- Trivulzio Madonna (1497)
- Parnassus (Mars and Venus) (1497)
- Ecce Homo (c. 1500)
- Holy Family (c. 1500)
- Triumph of the Virtues (c. 1502)
- The Introduction of the Cult of Cybele at Rome (c. 1505–1506)
- Baptism of Christ (1506)
- Camera degli Sposi (1465–1474)