Barry Shear
Barry Shear | |
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Born | (1923-03-23)March 23, 1923 New York City, U.S. |
Died | June 13, 1979(1979-06-13) (aged 56) Los Angeles, California, U.S. |
Resting place | Hollywood Forever Cemetery |
Alma mater | University of Wisconsin |
Occupation(s) | Film and television director and producer |
Years active | 1950–1980 |
Barry Shear (March 23, 1923 in Brooklyn, New York – June 13, 1979 in Los Angeles) was an American film and television director and producer.
Career
Military
He served in the United States Army Air Forces from October 1942 to March 1945.[1]
Television career
Shear began directing for television in the 1950s for the DuMont Television Network news program Newsweek Views the News, and directed episodes of the DuMont series Guide Right, Not for Publication, and Joseph Schildkraut Presents. Shear directed The Hazel Scott Show for DuMont, the first television show to feature a Black woman as the star of a show, performing without sketch comedy or guests.[2] He quickly moved to episodic television. Over his 30-year career in television he directed both series and telefilms. Series that he directed several episodes for include The Man from U.N.C.L.E., The Girl from U.N.C.L.E., The Name of the Game, Ironside, Alias Smith and Jones, Police Story, Police Woman, and The Feather and Father Gang.
Film career
Shear's first made-for-theaters feature was the 1968 counter culture film Wild in the Streets. He later directed theatrical films in various genres such as The Todd Killings in 1971 (based on the serial killer Charles Schmid), Across 110th Street in 1972, and the western The Deadly Trackers in 1973 (which he overtook from Samuel Fuller). While well received, these features met with only fair box office and Shear returned to work exclusively in television.
On August 5, 1965, both Shear and Jan Berry, of the singing duo Jan and Dean, were injured along with other film crew members while on the first day on the set of a new Paramount motion picture, Easy Come, Easy Go. Paramount would ultimately cancel the film and reuse the film title the following year for an unrelated film starring Elvis Presley.
Personal life
Shear's wife was actress Sondra Shear, (1926–2002)[3] and his daughter is director Wendy Shear.[4]
Death
Barry Shear died of cancer at Cedars-Sinai Medical Center in Los Angeles on June 13, 1979, at the age of 56.
References
- ^ "Index Record for Barry Shear (1923) Veterans Affairs Beneficiary Identification Records Locator Subsystem Death File", Fold3 by Ancestry.com website. Retrieved 18 August 2023.
- ^ Chilton, Karen (2008). Hazel Scott: The Pioneering Journey of a Jazz Pianist from Cafe Society to Hollywood to HUAC. Ann Arbor, Michigan: University of Michigan Press. pp. 140–141.
- ^ "Sondra Shear Obituary (2002) Los Angeles Times". Legacy.com. Retrieved July 22, 2022.
- ^ [email protected]. "Wendy Shear, Producer, Director, New York". www.mandy.com. Retrieved July 22, 2022.
External links
- Barry Shear at IMDb
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- Swingin' in the Groove (1945)
- Never Too Old to Swing (1945)
- A.N.T.A. Album of 1955 (1955)
- Around the World with Nellie Bly (1960)
- The Milton Berle Spectacular (1962)
- Here's Edie (1962)
- It's What's Happening, Baby! (1965)
- The Karate Killers (1967)
- Wild in the Streets (1968)
- All Things Bright and Beautiful (1968)
- Night Gallery ("The Escape Route" segment, 1969)
- The Todd Killings (1971)
- Ellery Queen: Don't Look Behind You (1971)
- Short Walk to Daylight (1972)
- Across 110th Street (1972)
- Jarrett (1973)
- The Deadly Trackers (1973)
- Punch and Jody (1974)
- Strike Force (1975)
- Rickles (1975)
- Don Rickles: Buy This Tape You Hockey Puck (1975)
- The San Pedro Bums (1977)
- Keefer (1978)
- Crash (1978)
- The Billion Dollar Threat (1979)
- Undercover with the KKK (1979)
- Power (1980)
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