Cabin in the Snow
- View a machine-translated version of the German article.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing German Wikipedia article at [[:de:Verschneite Hütte]]; see its history for attribution.
- You may also add the template
{{Translated|de|Verschneite Hütte}}
to the talk page. - For more guidance, see Wikipedia:Translation.
Cabin in the Snow | |
---|---|
Artist | Caspar David Friedrich |
Year | 1827 |
Medium | oil on canvas |
Dimensions | 31 cm × 25 cm (12 in × 9.8 in) |
Location | Alte Nationalgalerie, Berlin |
Cabin in the Snow or Cabin under Snow (German - Verschneite Hütte) is an 1827 painting by Caspar David Friedrich, first exhibited at the exhibition held by the Dresden Academy of Fine Arts, from which it was acquired by John I of Saxony.
The painting was acquired by Hugo Salm in 1924 and from at least 1933 it was in South America. It then came onto the Berlin art market and was bought by a private collector. In 1960 the Lottery Society of Berlin bought it for the Nationalgalerie, which has exhibited it in the Knobelsdorff wing of Schloss Charlottenburg (1986-2001) and in the Friedrich room of the Alte Nationalgalerie (since 2001).[1][2]
Catherine Clinger has argued convincingly that, rather than representing a hut, or cottage, in the snow, the represented structure is the entrance to a mine shaft.
See also
References
- v
- t
- e
- Cairn in Snow (1807)
- Cross in the Mountains (1808)
- The Monk by the Sea (1808–1810)
- The Abbey in the Oakwood (1809–10)
- Mountain Landscape with Rainbow (1809–10)
- Morning on the Riesengebirge (1810–11)
- The Tombs of the Old Heroes (1812)
- Neubrandenburg (c. 1816)
- Two Men by the Sea (1817)
- The Gazebo (1818)
- Wanderer above the Sea of Fog (1818)
- Chalk Cliffs on Rügen (1818)
- Seaside by Moonlight (1818)
- The Port of Greifswald (1818–1820)
- Two Men Contemplating the Moon; Man and Woman Contemplating the Moon (1820s)
- Evening (1821)
- River Bank in Fog (1821)
- The Lonely Tree (1822)
- Moonrise by the Sea (1822)
- The Tree of Crows (1822)
- Woman at a Window (1822)
- Hutten's Grave (1823)
- The Sea of Ice (1823–24)
- The Watzmann (1824–25)
- Cabin in the Snow (1827)
- Ships in Harbour, Evening (1828)
- The Temple of Juno in Agrigento (1828–1830)
- The Great Enclosure (1831)
- Ruins of Eldena Abbey in the Riesengebirge (1830–1834)
- Neubrandenburg Burning (1830–1835)
- Sunset (1830–1835)
- The Stages of Life (1835)
- The Woman with the Spider's Web (1803)
- Woman with a Raven at an Abyss (c. 1803)
- Boy Sleeping on a Grave (c. 1803)
- Caspar David Friedrich in his Studio (1811/1819 paintings)
- Boundaries of Time: Caspar David Friedrich (1986 film)
- Zauber der Stille (2023 biography)
This article about a nineteenth-century painting is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e