Music Perception
Academic journal
Discipline | Music, Psychology |
---|---|
Language | English |
Edited by | Catherine (Kate) J. Stevens |
Publication details | |
History | 1983-present |
Publisher | University of California Press (United States) |
Frequency | 5/year |
Impact factor | 1.152 (2018) |
Standard abbreviations ISO 4 (alt) · Bluebook (alt1 · alt2) NLM (alt) · MathSciNet (alt ) | |
ISO 4 | Music Percept. |
Indexing CODEN (alt · alt2) · JSTOR (alt) · LCCN (alt) MIAR · NLM (alt) · Scopus | |
ISSN | 0730-7829 (print) 1533-8312 (web) |
LCCN | 84644031 |
JSTOR | 07307829 |
OCLC no. | 645293324 |
Links | |
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Music Perception: An Interdisciplinary Journal is a peer-reviewed academic journal published by University of California Press five times a year. It was founded by Diana Deutsch.[1]
According to the Journal Citation Reports, the journal has a 2018 impact factor of 1.152.[2]
Succession of editors
- Diana Deutsch, Founding Editor[1]
- Jamshed Bharucha[3]
- Robert Gjerdingen[4]
- Lola Cuddy[5]
- Catherine (Kate) J. Stevens[6]
References
- ^ a b "Diana Deutsch, Professor of Psychology". University of California, San Diego.
- ^ "Music Perception". 2018 Journal Citation Reports. Web of Science (Social Sciences ed.). Thomson Reuters. 2017.
- ^ "Jamshed Bharucha, President Emeritus". Cooper Union.
- ^ "Robert Gjerdingen, Professor of Music". Northwestern University. 16 March 2016.
- ^ "Lola Cuddy, Professor Emerita of Psychology". Queens University.
- ^ "Kate Stevens, Professor of Psychology & Director". MARCS Institute for Brain, Behaviour & Development, Western Sydney University.
External links
- Music Perception on University of California Press Journals website
- v
- t
- e
- Absolute pitch
- Auditory illusion
- Auditory imagery
- Background music
- Consonance and dissonance
- Deutsch's scale illusion
- Earworm
- Embodied music cognition
- Entrainment
- Exercise and music
- Eye movement in music reading
- Franssen effect
- Generative theory of tonal music
- Glissando illusion
- Hedonic music consumption model
- Illusory continuity of tones
- Levitin effect
- Lipps–Meyer law
- Melodic expectation
- Melodic fission
- Mozart effect
- Music and emotion
- Music and movement
- Music in psychological operations
- Music preference
- Music-related memory
- Musical gesture
- Musical semantics
- Musical syntax
- Octave illusion
- Relative pitch
- Sharawadji effect
- Shepard tone
- Speech-to-song illusion
- Temporal dynamics of music and language
- Tonal memory
- Tritone paradox
- Aesthetics of music
- Bioacoustics
- Ethnomusicology
- Hearing
- Melodic intonation therapy
- Music education
- Music therapy
- Musical acoustics
- Musicology
- Neurologic music therapy
- Neuronal encoding of sound
- Performance science
- Philosophy of music
- Psychoanalysis and music
- Sociomusicology
- Systematic musicology
- Zoomusicology
- Jamshed Bharucha
- Lola Cuddy
- Robert Cutietta
- Jane W. Davidson
- Irène Deliège
- Diana Deutsch
- Tuomas Eerola
- Henkjan Honing
- David Huron
- Nina Kraus
- Carol L. Krumhansl
- Fred Lerdahl
- Daniel Levitin
- Leonard B. Meyer
- Max Friedrich Meyer
- James Mursell
- Richard Parncutt
- Oliver Sacks
- Carl Seashore
- Max Schoen
- Roger Shepard
- John Sloboda
- Carl Stumpf
- William Forde Thompson
- Sandra Trehub
- Music Perception
- Musicae Scientiae (journal)
- Musicophilia
- Music, Thought, and Feeling
- Psychology of Music (journal)
- The World in Six Songs
- This Is Your Brain on Music