Open, to Love
Open, to Love | ||||
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Studio album by Paul Bley | ||||
Released | 1972 | |||
Recorded | September 11, 1972 (1972-09-11) | |||
Studio | Arne Bendiksen Studio Oslo, Norway | |||
Genre | Jazz | |||
Length | 42:32 | |||
Label | ECM 1023 ST | |||
Producer | Manfred Eicher | |||
Paul Bley chronology | ||||
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Open, to Love is a solo album by Canadian jazz pianist and composer Paul Bley recorded on September 11, 1972 and released on ECM later that year.
Background
The album is one of the first showcases of the pointillism and silence that would inform much of his later work.[1]
Open, to Love was selected as part of the ECM Touchstones series, as one of the most influential recordings on the label.[2]
Reception
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz Record Guide | ![]() ![]() ![]() ![]() ![]() |
The AllMusic review by Thom Jurek awarded the album 5 stars stating "Despite the fact that pianist and composer Paul Bley had been a renowned and innovative jazzman for nearly 20 years, 1973 saw the release of his most mature and visionary work, and one that to this day remains his opus. This is one of the most influential solo piano recordings in jazz history, and certainly one that defined the sound of the German label ECM... Ultimately, what Bley offers is jazz pianism as a new kind of aural poetics, one that treats the extension of the composer's line much as the poet treats the line as the extension of breath. Sheer brilliance."[1]
The Penguin Guide to Jazz said "There is, perhaps, inevitably a hint of deja-vu here and there, but the territory is always much too interesting for that to become a problem."[3]
Track listing
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Closer" | Carla Bley | 5:51 |
2. | "Ida Lupino" | Carla Bley | 7:31 |
3. | "Started" | Paul Bley | 5:13 |
Total length: | 18:36 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Open, to Love" | Annette Peacock | 7:10 |
2. | "Harlem" | Paul Bley | 3:22 |
3. | "Seven" | Carla Bley | 7:21 |
4. | "Nothing Ever Was, Anyway" | Annette Peacock | 6:02 |
Total length: | 23:56 42:32 |
Personnel
References
- ^ a b c Jurek, T. Allmusic Review accessed August 29, 2011
- ^ Open To Love at ECM Records
- ^ a b Cook, Richard; Brian Morton (2008). The Penguin Guide to Jazz on CD. The Penguin Guide to Jazz (8th ed.). London: Penguin. pp. 132. ISBN 978-0141023274.
- ^ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. pp. 26. ISBN 0-394-72643-X.
External links
- OPEN TO LOVE at ECM Records
- v
- t
- e
- Introducing Paul Bley
- Paul Bley
- Solemn Meditation
- Footloose!
- Barrage
- Touching
- Closer
- Ramblin'
- Mr. Joy
- Paul Bley with Gary Peacock
- Ballads
- The Paul Bley Synthesizer Show
- Open, to Love
- Paul Bley/NHØP
- Jaco
- Alone, Again
- Quiet Song
- Tears
- Tango Palace
- Sonor
- Questions
- Diane
- My Standard
- Fragments
- The Paul Bley Quartet
- The Nearness of You
- Blues for Red
- Notes (with Paul Motian)
- Partners (with Gary Peacock)
- BeBopBeBopBeBopBeBop
- Memoirs (with Charlie Haden and Paul Motian)
- 12 (+6) In a Row (with Hans Koch and Franz Koglmann)
- Right Time, Right Place (with Gary Burton)
- Changing Hands
- In the Evenings out There
- Paul Plays Carla
- Annette
- Hands On
- If We May
- Time Will Tell (with Evan Parker and Barre Phillips)
- Chaos (with Furio Di Castri and Tony Oxley)
- Sankt Gerold (with Evan Parker and Barre Phillips)
- Notes on Ornette
- Not Two, Not One (with Gary Peacock and Paul Motian)
- Basics
- Nothing to Declare
- About Time
- Live at the Hilcrest Club 1958
- Coleman Classics Volume 1
- Improvisie
- Dual Unity (with Annette Peacock)
- Japan Suite
- Axis
- Hot
- Live at Sweet Basil
- Solo in Mondsee
- Play Blue: Oslo Concert