Wake of the Flood
Wake of the Flood | ||||
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Studio album by Grateful Dead | ||||
Released | October 15, 1973 (1973-10-15) | |||
Recorded | August 4–15, 1973 | |||
Studio | The Record Plant, Sausalito[1] | |||
Genre |
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Length | 45:34 | |||
Label | Grateful Dead | |||
Producer | Grateful Dead | |||
Grateful Dead chronology | ||||
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Singles from Wake of the Flood | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | B−[4] |
Entertainment Weekly | A−[5] |
Rolling Stone | (not rated)[6] |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Wake of the Flood is the sixth studio album (and tenth album overall) by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Records label. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and rhythm and blues) contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.[8]
The release fared better on the pop charts than their previous studio album (1970's American Beauty), reaching No. 18.[9] An expanded version was released in 2004.
Recording
After three live albums in a row, the Grateful Dead wanted to record studio versions of songs written since Keith Godchaux had joined the band. At the time of recording, five of the songs on the album (and part of a 6th) had been in live rotation for up to a year and a half, as arrangements were road-tested and finalized. Referring to this period, bassist Phil Lesh explained, "We'd learned to break in the material at shows (under fire, as it were), rather than try to work it out at rehearsals, or in the studio at tremendous expense."[10]
The new compositions drew on many of the band's influences, blending genres from country folk and R&B to ragtime and jazz rock, the latter being more prominent than previously.[11][3] As had become routine, Robert Hunter and Jerry Garcia wrote the majority of the songs; Bob Weir contributed the epic "Weather Report Suite" with lyrics by John Perry Barlow. The "Prelude" section of this piece had been developed onstage, but the "Part 1" and "Part 2 (Let it Grow)" debuted after the album's recording. "Let Me Sing Your Blues Away" is the band's only singing-songwriting contribution from Keith Godchaux. It was performed live just six times, in September 1973, between the recording and release of the album.
Describing Godchaux's influence, drummer Bill Kreutzmann characterized the album as "Keith's coming out party." Remarking on the evolution in style, he remembered:
Jerry brought "Row Jimmy" into us one day, and it was really difficult to get a grip on it at first. It has a slow tempo, which makes it seem like it would be easy, but it calls for a slight reggae groove layered over a ballad. Rhythmically, the lengths aren't traditional. They're not just twos and fours. It's deceiving. Basically, you have to play the song in half-time with a double-time bounce on top. It's trickier than it sounds. But once I locked into it, "Row Jimmy" became one of the best songs in our repertoire.[12]
The band chose to record at the recently built Record Plant between August 4–15, 1973. It was in Sausalito, near their San Rafael home base, and had been used by cohorts New Riders of the Purple Sage for their successful album The Adventures of Panama Red (which featured input from Hunter and Donna Godchaux).[1] Staff engineer Tom Flye, assistant engineer Tom Anderson, and Dead soundman Dan Healy recorded and mixed on 24-track,[13] bringing the mixdown to Lacquer Channel in Sausalito for mastering. The initial vinyl runs were pressed by Monarch Record Mfg., in Los Angeles.
Release
The album title comes from the opening stanza of "Here Comes Sunshine":
Wake of the flood, laughing water, '49
Get out the pans, don't just stand there dreaming, get out the way,
a poetic reference to the historic flood in Vanport, Oregon (a site where the Dead would play in 1995).[14] Though lyrically the songs continued Hunter's Americana themes, a thread of Earth, seasons and life cycles connects the material, particularly with Weir and Barlow's culminating suite.[15] This is represented in the album cover artwork, designed by San Francisco counterculture artist and band associate Rick Griffin. It has an Earth tone and simple graphics including a woodcut-derived figure of a harvest-reaping man with a wheat bundle and scythe, and a field crow which was extracted from the card game Rook (and never credited).[16] Reflecting the cycles of nature is an image, hidden in a cloud, of a hooded skull. Griffin said that the artwork was inspired by a quote from Revelation – "And the sea gave up the dead that were in it and death and Hell gave up the dead that were in them, and they were judged, every man according to their works." (Revelation 20:13) He added that the image was designed "to show an alternative to that. I wanted to juxtapose that Scripture with a loving image, an image of loving harvest."[17] (The list of song titles on the back cover is missing from some early pressings.)
After completing their extended contract and extracting themselves from Warner Bros., the Dead were left without a record label for production and distribution of their albums. The decision was made to start an independent label, in order to retain complete control of their recordings and allow for side-projects. Lesh explained, "We already owned our own sound system. Booking and travel were in-house. It seemed as if being our own record company would be worth a try. No one could see a downside."[10] Though pressing their own records was foreseeable, setting up a distribution network to compete with existing channels was formidable and ultimately short-lived. Lesh continued, "How would we distribute the records? [Manager Ron] Rakow's original scam was to sell the records from ice-cream trucks...seriously impractical. In the end, we settled on a more traditional model: the Dead would finance and produce the recordings, and United Artists Records would manufacture and distribute."[10]
"Perhaps the studio vibe was too comfortable – the performances on the record fell far short of the intensity we could bring to the music in live performances. Still, the album, Wake of the Flood, did fairly well commercially."
– Phil Lesh[10]
Two singles were released: "Let Me Sing Your Blues Away (b/w "Here Comes Sunshine"), followed by single edits of "Eyes of the World" (b/w "Weather Report Part I"). Neither charted. The Dead's ex-label responded to the loss of the band by compiling "best-of" and archive albums, beginning with Skeletons from the Closet, just months after the release of Wake of the Flood.
All of the songs but "Let Me Sing Your Blues Away" and the first parts of "Weather Report Suite" remained in setlists throughout the existence of the band (though "Here Comes Sunshine" was absent from 2/23/74 to December 1992). Weir had played the finger-picked "Prelude" for months before attaching it to "Weather Report Suite", ultimately dropping all but the "Let it Grow" section after 1974. Though the album's version is concise, "Eyes of the World" in particular had already become an extended-jam set piece and would remain so.
With the collapse of the band's label in 1976, Wake of the Flood was in and out of print for many years. Exercising an active contract, United Artists made a one-off pressing on their Liberty label in 1979. The album went back into publication when it was released on CD in 1988, again on the Grateful Dead Records imprint. It was remastered and expanded for inclusion in the Beyond Description box set in October 2004. The expanded version was released separately in 2006.[18]
A 50th Anniversary Deluxe Edition of Wake of the Flood, remastered from the original recording, was released on September 29, 2023. The CD version includes two bonus tracks – demo recordings of "Eyes of the World" and "Wake of the Flood" – and a bonus disc recorded live at McGaw Hall in Evanston, Illinois on November 1, 1973. The digital download version, in ALAC or FLAC format, has the same tracks as the two-disc CD. The LP version, on black or colored vinyl or as a picture disc, has the same tracks as the original album.[19][20]
Track listing
No. | Title | Writer(s) | Lead vocals | Length |
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1. | "Mississippi Half-Step Uptown Toodeloo" |
| Garcia | 5:42 |
2. | "Let Me Sing Your Blues Away" |
| K. Godchaux | 3:15 |
3. | "Row Jimmy" |
| Garcia | 7:11 |
4. | "Stella Blue" |
| Garcia | 6:22 |
Total length: | 22:30 |
No. | Title | Writer(s) | Lead vocals | Length |
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1. | "Here Comes Sunshine" |
| Garcia | 4:37 |
2. | "Eyes of the World" |
| Garcia | 5:16 |
3. | "Weather Report Suite: Prelude / Part I / Part II (Let It Grow)" | Weir | 12:41 | |
Total length: | 22:34 |
No. | Title | Writer(s) | Lead vocals | Length |
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8. | "Eyes of the World" (live on September 7, 1973 at Nassau Coliseum, Uniondale, NY) |
| Garcia | 17:02 |
9. | "Weather Report Suite" (acoustic demo) |
| Weir | 12:36 |
10. | "China Doll" (studio outtake) |
| Garcia | 4:02 |
Total length: | 78:44 |
Notes:
- The live version of "Eyes of the World" is an edited version of the performance.
- "China Doll" has a coda of "The Merry-Go-Round Broke Down", written by Cliff Friend and Dave Franklin.
No. | Title | Writer(s) | Lead vocals | Length |
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8. | "Eyes of the World" (demo) |
| Garcia | 5:42 |
9. | "Here Comes Sunshine" (demo) |
| Garcia | 7:34 |
No. | Title | Writer(s) | Lead vocals | Length |
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1. | "Weather Report Suite" |
| Weir | 16:50 |
2. | "Morning Dew" | Garcia | 13:22 | |
3. | "Playing in the Band" |
| Weir | 14:52 |
4. | "Uncle John's Band" |
| Garcia | 11:38 |
5. | "Playing in the Band" |
| Weir | 3:31 |
6. | "Mississippi Half-Step Uptown Toodeloo" |
| Garcia | 8:04 |
Wake of the Flood: The Angel's Share
Wake of the Flood: The Angel's Share | ||||
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Studio album by | ||||
Released | August 18, 2023 | |||
Recorded | August 6–17, 1973 | |||
Studio | Record Plant (Sausalito) | |||
Length | 2h 28m | |||
Label | ||||
Grateful Dead chronology | ||||
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On August 18, 2023, a collection of demos and outtakes from the Wake of the Flood recording sessions entitled Wake of the Flood: The Angel's Share was released in streaming and digital download formats.[21][22] This is the third release in the Angel's Share series, following similar collections pertaining to the sessions for Workingman's Dead and American Beauty.
Track listing
No. | Title | Recording date | Length |
---|---|---|---|
1. | "Mississippi Half-Step Uptown Toodeloo" (take 9, not slated) | August 6 | 7:35 |
2. | "Mississippi Half-Step Uptown Toodeloo" (take 10, slated) | August 6 | 1:23 |
3. | "Mississippi Half-Step Uptown Toodeloo" (take 11, slated) | August 6 | 7:43 |
4. | "Mississippi Half-Step Uptown Toodeloo" (take 16, slated) | August 6 | 7:45 |
5. | "Stella Blue" (take 1, not slated) | August 7 | 1:32 |
6. | "Stella Blue" (take 2, not slated) | August 7 | 7:20 |
7. | "Stella Blue" (take 4, slated) | August 7 | 0:59 |
8. | "Stella Blue" (take 5, not slated) | August 7 | 7:23 |
9. | "I Am the Rain (Weather Report Suite)" (take 2, slated) | August 7 | 0:38 |
10. | "I Am the Rain (Weather Report Suite)" (take 23, slated) | August 7 | 1:37 |
11. | "I Am the Rain (Weather Report Suite)" (take 4, slated) | August 7 | 6:15 |
12. | "Pistol Shot (China Doll)" (take 1, slated) | August 8 | 3:56 |
13. | "Pistol Shot (China Doll)" (take 2, slated) | August 8 | 4:34 |
14. | "Pistol Shot (China Doll)" (take 3, slated) | August 8 | 1:37 |
15. | "Pistol Shot (China Doll)" (take 4, slated) | August 8 | 3:52 |
16. | "Row Jimmy" (take 1, not slated) | August 10 | 1:49 |
17. | "Eyes of the World" (run-through, not slated) | August 10 | 0:40 |
18. | "Eyes of the World" (take 1, slated) | August 10 | 1:03 |
19. | "Eyes of the World" (take 6, not slated) | August 10 | 6:08 |
20. | "Eyes of the World" (take 15, not slated) | August 10 | 0:34 |
21. | "Eyes of the World" (take 16, not slated) | August 10 | 6:18 |
22. | "Let Me Sing Your Blues Away" (take 1, not slated) | August 15 | 0:53 |
23. | "Let Me Sing Your Blues Away" (take 2, slated) | August 15 | 11:03 |
24. | "Let Me Sing Your Blues Away" (take 3, slated) | August 15 | 4:29 |
25. | "Let Me Sing Your Blues Away" (take 4, slated) | August 15 | 4:36 |
26. | "Let Me Sing Your Blues Away" (take 13, not slated) | August 15 | 3:20 |
27. | "Phil's Song (Unbroken Chain)" (take 1, not slated) | August 16 | 1:28 |
28. | "Phil's Song (Unbroken Chain)" (take 2, not slated) | August 16 | 0:47 |
29. | "Phil's Song (Unbroken Chain)" (take 3, slated) | August 16 | 2:02 |
30. | "Phil's Song (Unbroken Chain)" (take 4, not slated) | August 16 | 1:36 |
31. | "Phil's Song (Unbroken Chain)" (take 5, not slated) | August 16 | 0:31 |
32. | "Phil's Song (Unbroken Chain)" (take 6, not slated) | August 16 | 2:35 |
33. | "Phil's Song (Unbroken Chain)" (take 7, slated) | August 16 | 2:49 |
34. | "Phil's Song (Unbroken Chain)" (take 8, slated) | August 16 | 5:30 |
35. | "Weather Report Suite" (take 10, not slated) | August 16 | 2:48 |
36. | "Weather Report Suite" (take 11, not slated) | August 16 | 5:39 |
37. | "Weather Report Suite" (take 16, not slated) | August 16 | 4:47 |
38. | "Weather Report Suite" (take 8, slated) | August 17 | 13:16 |
Personnel
Grateful Dead
Additional musicians
| Reissue personnel
|
Charts
Year | Chart | Position |
---|---|---|
1973 | Pop Albums | 18[23] |
Chart (2023) | Peak position |
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Hungarian Physical Albums (MAHASZ)[24] | 7 |
References
- ^ a b "Grateful Dead Family Discography". DeadDisc.com.
- ^ Ham, Robert (December 28, 2018). "Record Time: New & Notable Vinyl Releases (December 2018)". Paste. Retrieved July 17, 2019.
- ^ a b Planer, Lindsay. "Wake of the Flood". AllMusic. Retrieved September 28, 2018.
- ^ Christgau, Robert (1981). "Consumer Guide '70s: G". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved February 24, 2019 – via robertchristgau.com.
- ^ Svetkey, Benjamin (March 12, 1993). "Discography: Grateful Dead | EW.com". Entertainment Weekly. Retrieved May 24, 2023.
- ^ Miller, Jim (January 3, 1974). Wake of the Flood, Rolling Stone
- ^ "The Grateful Dead: Album Guide | Rolling Stone Music". Internet Archive. Archived from the original on 2011-06-28. Retrieved May 24, 2023.
- ^ "Wake of the Flood – Product Information". cduniverse.com.
- ^ "Billboard Charts". billboard.com.
- ^ a b c d Lesh, Phil (2005). Searching for the Sound. Little, Brown & Co., New York, NY. Chapter 16. ISBN 978-0-316-00998-0.
- ^ Jim Miller (3 January 1974). "Rolling Stones Review". rollingstones.com.
- ^ Kreutzmann, Bill (2015). Deal. St. Martin's Press, New York. Chapter 12. ISBN 978-1-250-03380-2.
- ^ Wake of the Flood; Rhino/GDR, 2004. Liner Notes: Tom Anderson
- ^ Hunter, Robert (1990). A Box of Rain. Viking Penguin, New York, NY. Pg. 134. ISBN 978-0140134513.
- ^ Eisenhart, Mary (1994). "Wake of the Flood". Skeleton Key: A Dictionary for Deadheads. By Shank, David; Silberman, Steve. Broadway Books, New York, NY. ISBN 978-0-385-47402-3.
- ^ Claude Lemaire. "Enjoy the Music". enjoythemusic.com.
- ^ Jackson, Blair (August 2012). "Rick Griffin: His Memory and His Art Live On – A Spring 1990 Profile". dead.net. Retrieved January 20, 2017.
- ^ "Discography – Wake of the Flood". discogs.com.
- ^ Brakes, Rod (July 27, 2023). "Grateful Dead Unveil Remastered and Expanded 50th Anniversary Editions of 'Wake of the Flood' Featuring Previously Unreleased Material". Guitar Player. Retrieved August 1, 2023.
- ^ Kahn, Andy (July 27, 2023). "Stream Previously-Unreleased 'Eyes of the World' Demo Recorded by Grateful Dead Guitarist Jerry Garcia". JamBase. Retrieved August 1, 2023.
- ^ Sissler, James (18 August 2023). "Grateful Dead Celebrate 'Wake of the Flood' 50th Anniversary with 'The Angel's Share' Archival Release". Live for Live Music. Retrieved 18 August 2023.
- ^ Todd, Nate (August 18, 2023). "Stream Grateful Dead's 'Wake of the Flood: The Angel's Share' Outtake Collection". JamBase. Retrieved August 20, 2023.
- ^ Strong, Martin Charles (2002). The Great Rock Discography. Canongate. p. 445. ISBN 9781841953120. Retrieved 2 December 2014.
- ^ "Album Top 40 slágerlista (fizikai hanghordozók) – 2023. 40. hét". MAHASZ. Retrieved October 11, 2023.
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